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The ‘Nikas’ was vibratory and full of musical robustness. The Paran was recited by his grandson Shubh Maharaj. This was followed by the sweetness of ‘Chant’.Īfter these presentations, Panditji moved on to some traditional ‘cheez’ of his gharana. The next presentation was a ‘Baat’ of his Gharana in which both his hands moved with acumen, showcasing his musical agility even at the age of 84. The Jhala was fast interspersed with swift and pulsating rhythms, drowning the audience into the beauty of the beats. The Uthan was a prolific delivery climbing to high and fast beats with a sudden nosedive to slow motion. The musical evening started with ‘Alap’ which consisted of Benaras Ka Uthan and Jhala of equal durations. I consider Madhya Pradesh to be my ‘karam-kshetra’ because it was after that performance that I earned worldwide fame,” he said amidst a thunderous applause. An emotional maestro said before his performance, “I have been performing on the stage for a long time but the ‘response’ that I garnered in Indore in 1972 was unparalleled.
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The programme at Ravindra Bhavan was a part of the two-day ‘Anushruti’, a monthly series of the Culture Department. The presentation by the octogenarian maestro was a treat for even those not abreast with the language of the tabla. PADMA VIBHUSHAN Pandit Kishan Maharaj’s tabla recital at Ravindra Bhavan had all the ingredients to stimulate the musical mood of the audience.
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